‘Flat-packed’ myself for a film festival!

On Wednesday 1st November, we were glad to attend a workshop held by Amy
Smart, the Assemble Project Manager of Flatpack Film Festival. A fresh and
deep insight of operational issues and practical experiences was given to the
new cohort of FTV students.flatpack

Cannes, Berlin, Venice and London are the heart of where film festivals live, but apart from those renowned ones, hundreds and thousands of film festivals emerge at every corner of the world, including Birmingham’s Flatpack Film Festival. Have you ever considered building your own film night? I admitted I did. Thanks to Amy for giving me a chance to have a glimpse of holding a film festival, helping me shift my mindset from a participant into an organizer.

When you are going to hold a film festival, what factors are needed to take into consideration? Amy answered this question in the morning by sharing her experience. We digested lots of advice including different parts of curation, whether a license is
necessary, how to choose the best venues, how to deal with technical issues, some thoughts about PR and promotion etc.

flatpack logoWhat made the biggest impression on me was the selection of the venue. Basically when I think about choosing a venue, some places where they are already prepared for screenings are my first thought, namely, cinemas. However, within the brainstorming at this workshop, Amy challenged us about how to choose a venue which could be more attractive to the audience. For example, cafes, church halls, and warehouses are lovely places for screenings if they are accessible to audiences. Besides, keep turning over the event of the day in mind because details are the key of success: if something unexpected happens but no preparations have been made, the only 1% possibility could become 100% disaster. As Amy presented, no matter how amazing your film festival is, if the toilets are awful on the day, that will be the only thing the audiences remember!

After enjoying shorts that have appeared in previous Flatpack film festivals, we were divided in groups, discussing a project which could contribute to the Flatpack Festival in 2018. I really enjoyed coming up with new ideas, and what could be more exciting is the possibility of incubating our thoughts into a real project!

Just cannot wait to contribute to the film festival!

Cheryl Li

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Don’t take a job, make a job

On Friday 9th June, we welcomed James Cronin and Joe Partridge from Project Birmingham to campus to talk to our MA students about freelancing in the creative industries.  The interactive workshop covered James and Joe’s own career journeys to date and was designed to help students identify their objectives and aspirations in relation to personal skillsets, with a key focus on film, media and creating opportunities in the city of Birmingham.

Project Birmingham was founded by James in 2015. It aims to bring together the creative community in Birmingham and generate a buzz around the city’s culture and talented individuals. In addition to Project Birmingham, both he and Joe have ‘day jobs’ and additional interests they pursue outside of their careers. As they noted at the start of the workshop ‘it’s not about what you do, but why you do it’, which is an important question for anyone to consider as they prepare to leave university and commence working life.P1000011.JPG

Key themes of the session were the importance of having passion and pride in your work and recognising personal strengths and weaknesses – after all, if you’re an aspiring freelancer then the drive to succeed should ideally be rooted in a genuine love for what you want to do. Students were encouraged to think about the skills they might need to put a plan for their future goals into action: while some of us have no qualms about picking up a camera and setting up shoots, for example, others are far more comfortable dealing with business admin and social media. Going solo is a great aspiration, but having an awareness of where our individual limitations lie is just as important as exercising our strengths effectively. As James advised, ‘think about what you can do better than anyone else in the world’ and then research where (or for whom) you can add that value.

‘Focussing on strengths and weaknesses and setting a goal was a really useful exercise’ (James Cresswell)

Many people assume that pursuing a career in film and TV necessitates moving to London, but James and Joe reinforced the fact that Birmingham is also an excellent city in which to forge a creative career. As the broad film and media sectors continue to collide, being in a smaller pool where the pace is a touch slower can be beneficial to recent graduates. Nobody is pretending that it’s not still a competitive industry, but there are strong networks to tap into in Birmingham and dozens of stories waiting to be told through various art forms. Hopefully this session motivated our FTV students to go out and tell them!

‘I really enjoyed the interactive elements of the session, which made it stand out from other talks’ (Malcolm Remedios)

With myth busting and practical advice about tax and self-employment also being covered, the workshop was a fantastic opportunity for our MA cohort to think about what their next steps might be after September. As part-time student Jessica Brown commented, ‘It was cool to hear their stories and to be presented with the option of moving between different roles as we start our careers. ’ Both Joe and James demonstrated that a career doesn’t need be limited to one area or indeed one role as this chapter of education ends. As they rightly said, advice is useful, but ultimately it’s up to us to make jobs, and not just take jobs.

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Jemma Saunders, Placement Coordinator

This workshop was kindly supported by the Curriculum Enhancement Fund.