Arts & Science Festival 2017

This week we held our fifth annual showcase as part of the University’s Arts & Science Festival. For a third year running, the Department of Film & Creative Writing invited students across the University to enter our One Minute Movie competition on the festival theme of ‘Land and Water’, the results of which were announced at the end of the event.

Screening17We had a great turnout on what was a beautiful spring evening. As always, we screened a range of work produced by the most recent cohort of MA Film and Television students and it was lovely to have three of the filmmakers with us in the audience.

After enjoying films that included a documentary about fashion blogging, a drama inspired by the art of M.C. Escher and a cinematic travelogue, the audience were treated to the One Minute Movie entries in the second half of the evening. These had been independently judged by a panel of five academics and industry professionals, and with 11 submissions it was again a close-run competition for first place.

Congratulations to overall winner Robert Rushton-Taylor (MA Film and Television), who was placed first by the judging panel for ‘What Does Water Mean To You?

The runners up were:

Thank you to all who attended the event and submitted a One Minute Movie!

 

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MA Film and Television 20th Anniversary

On Friday 16th December 2016, we celebrated 20 years of the MA in Film and Television with a reunion event on campus. Over fifty people came together to mark the occasion, including current students, staff, industry partners and alumni from around the world.

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Tina, Sarah, Katharine, Hanz, Ben and Bo   (Class of 2014)

After inviting guests to tuck into canapés, MA convenor Dr Richard Langley welcomed everyone to the event and was joined by Professor Scott Lucas, who was integral to the establishment of the course when it began in 1996. Several former students had sent in short video clips and we travelled from Mumbai to Philadelphia and from Moscow to Manchester as they talked about where life has taken them since graduation. In addition to videos from three continents, we welcomed alumni who had travelled from London, Jersey, Glasgow and even Bulgaria to celebrate the anniversary.

There was a great turnout from our current cohort, who got a taste of using a green screen ahead of next term’s workshops and was able to hear more about the different paths that FTV students take. We had one alumnus with us from the Class of 1999, who, it transpired, had just finished working on a project that one of last year’s students was a runner on – they hadn’t realised they were graduates of the same course until a chance conversation revealed they were both attending the reunion. It really is a small world.

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Current FTV students using the green screen

Both myself and Richard are also alumni of the programme, with Richard graduating when it was still an MPhil in the early noughties, while I was in the last cohort to study under the original course title of ‘History, Film and Television’. As former students, we take enormous pride in the roles we now have and in seeing how the MA has developed over the years. There truly is an ‘FTV Family’, as one recent graduate wrote to us, and it was a pleasure to see that friendships have remained strong, and that so many alumni continue to be successful in the film and television industries as well as an array of other professions.

A huge thank you to everyone who joined us and who sent in their photos and stories to celebrate this unique postgraduate degree. It was a fitting end to an excellent year; here’s to the next twenty!

 Jemma Saunders (FTV Placement Coordinator)

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A Foot in the Door

Olivia Scott finished her MA in early September 2016. Since then she’s spent 4 weeks as a location runner in Ibiza (yes, really!) and is about to commence her second paid TV role as a casting runner in London. Here’s how FTV helped her to get that foot in the door…

oliviaIt seems like only yesterday that I got my acceptance onto the MA in Film and Television: Research and Production at the University of Birmingham. Doing my undergrad (History) at UoB, it felt only natural for me to stay an extra year, on this fantastic course, as I loved the uni, and the opportunities the course could provide me, so much. In all honesty, my main reason for undertaking the MA was the placement aspect of the course, as I, like many other rookies looking to get a career in television or film, didn’t know where to start. I thought that the course would provide me with the necessary skills and training which would stand me in good stead to get a job in the television industry. And I was right.

I enjoyed every aspect of the MA, from practical training with Oz, to documentary filmmaking with Richard. However, my favourite taught module was Research, Production and Commissioning with Kate Hollingsworth (who works in television). As a self-confessed TV obsessive, I loved learning about every aspect of the television industry, and Kate was an inspirational teacher. This module, as well as the placements I undertook, reinforced that I definitely wanted to pursue a career in television.

However, it was definitely the placement aspect of the course which I feel I thrived in. I was a casting runner at 7Wonder in Birmingham for two months, working on a cookery show for Channel 4. I really felt like a part of the team and I learned loads about the TV industry and casting itself. This experience led me to get the job that I am currently working in, as a casting runner for a company in London, called Nutopia. To get the chance to actually work for a television company was amazing, and I learned some invaluable skills, all thanks to the MA.

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The MA also helped me get my first job in television: being a location runner on Ibiza Weekender (ITV2). To have the chance to go abroad for a month was amazing, let alone getting the chance to go to Ibiza for a month! I had to give my dissertation in 3 weeks early, and my placement essay 2 weeks early (a day before I flew out to Ibiza) but it was worth it, as working on Ibiza Weekender was an amazing experience, and I learned so much about working on location and the necessary tasks that are involved in being a location runner. It was relentless hard work, but again I feel that the experience I had on the MA really helped me to do my best at the job. It also helped that I had watched the show so knew the format!

I can’t thank Richard, Jemma and Oz enough. Doing the MA was the best decision and all aspects of it have allowed me to get my foot in the door of the television industry, an industry I hope to work in for a number of years!

Olivia Scott

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Working for an Indie: Sarah’s Story

SarahLblogSarah Learmonth graduated in 2014 and went straight into a job with one of the companies where she undertook part of her MA placement. In this post she shares some of her highlights from the last two years, along with some useful tips for current students!

Since finishing my MA in September 2014, I haven’t really stopped! I was offered a job at Isis Media (now rebranded as Zebra Digital) where I’d done the majority of my placement, and I was back at work before I’d handed in my dissertation! It was originally meant to be a short contract of around six weeks (on a project specific basis) but cut to two years later and I’m still here!

I’ve worked on loads of different projects, from about a million promotional videos for Birmingham City University (yes, I know I’m a traitor), to documentaries about theatre and mental health. It’s diverse, I’ll tell you that much! Zebra is a very small indie production company that expands and contracts as necessary, but that means I get to do loads of different jobs, learning and developing my skills in all areas of production. My title is ‘Production Co-ordinator’ but I really just do whatever needs to be done- from research, development, writing scripts, social media, organising shooting schedules, finding contributors and all that lovely pre-production stuff, to being on set – where I could either be on camera, sound or getting release forms signed! I also do a lot of stuff back in the edit suites, doing both off and online edits.

I really enjoy that aspect of the job, it’s more liberating than just being stuck in one position, which you might find in a larger production company. I’m not just a Researcher or a Runner or an Assistant Editor, I’m all of those things and more- so every day is different. I’ve also had the opportunity to go on three international shoots to Turkey and Germany (the shoots were in an oil refinery and a margarine plant- so glam) which I feel really lucky to have done.

SarahLblog2Most recently the MD of Zebra set up another company, Formatzone, which is currently working on a TV pilot with Laurence Llewelyn-Bowen. On this project I was left to my own devices a bit more, for example heading up a second unit shoot when the director was out at another location. It came along at just the right time, when I had gained the confidence to spread my wings a bit more and take on a bit more responsibility. The show’s looking great, so I think I did a good job! We have lots of ideas in the pipeline, I’m currently finishing one of my screenplays and I’m considering relaunching my YouTube channel, so it’s all go!

Best piece of advice I’ve received: DON’T UNDERESTIMATE GVs. Get as many as you can. Also, if you have a slow day in the office, don’t be afraid to self–direct. Look up that interesting idea you read in the Metro on your commute, it might be your next big series!

Sarah Learmonth

From Bulgaria to Birmingham and Back Again

Bogomil Kalinov is one of the co-founders of KaBoAl Pictures, an audiovisual production company, and in the few years since it was created the company has already worked on 4 feature films, all of them international co-productions.  Bo graduated from Film Directing at the New Bulgarian University (Sofia, Bulgaria) with honours in 2013 and was enrolled on the MA in Film and Television at the University of Birmingham from 2013 to 2014.  Here, he shares his reasons behind applying for the MA and how it has impacted on his subsequent activities.

Bo blogI applied to the MA Film and Television: Research and Production for a couple of reasons. The first one was I needed the knowledge about how to make a sustainable visual product. Even though I had a background in Film Directing, at the time of my BA I was very concentrated in shooting dramas and I missed out on some valuable lessons.  Even though shooting drama is exciting, it is also very expensive. It involves a lot of people, a lot of time and a lot of effort. Plus financing, that is more often than not difficult to obtain. I had invested some years in film making and already had my mind set on what I wanted to do, however it turned out that I didn’t realize I had to do more of it. Feature film-making is great but if you want to sustain a business and remain a valuable asset in the industry you need to have a broader set of skills that involve factual TV, documentaries and similar genres. Making movies is fun, paying the bills is mandatory, so in this line of thought I believe that the opportunities and experience that the MA FTV provides are essential to anyone who chooses the path of filmmaking as a career.

The Appeal of Documentary Filmmaking

The second reason behind my decision to apply was the documentary aspect of the programme. As mentioned, I was very constrained by my narrow-minded thinking about the business. I realized my mistake once I attended a student documentary workshop that lasted about a week. During that time I knew I missed out, but I didn’t really have the time to learn how to fix this mistake. The length of the workshop was not enough to provide the needed information and I was already in my last year of BA studies.

This being said, studying under the guidance of Dr Richard Langley on the MA FTV was just priceless for learning the insights of documentary filmmaking. The screenings were great, the chosen films were well picked (of course, some I liked better than others) but they accurately represented the rich pallet of documentary subgenres. What I liked most about his method of teaching were the discussions that followed the screenings, where Richard explained the documentary mode and why and how it was made this way.  I learned not just why documentaries are made but how to make them. His passion for the subject really had a great impact, not just on me, but I think on the whole class. I could tell by the way we started discussing documentaries a bit later in the year that was equal to the way we discussed feature films in the beginning of the year. To put it in a different perspective: before I attended the MA I avoided watching documentaries and the closest I got to the genre was the work of popular TV channels that I no longer even consider ‘documentary’ in the full meaning of the word. Since then, for the past two and a half years, I have enjoyed 66 documentary films, some of which were mini-series, and I am currently preparing a documentary debut myself. So this goes to show the tremendous impact that the MA had on me both as a person and as an author.

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2015 Round Up

The Christmas break is upon us once more, and it’s been another full and exciting year for the MA in Film and Television: Research and Production.

We kicked off 2015 with the Department of Film & Creative Writing’s first ever One Minute Movie Competition, which is being revived again for 2016 with a theme of ‘Memory and Forgetting’. Easter saw a trip to Bristol for a recording of ‘Deal or No Deal’ and between January and August our students undertook placements at twenty-four different production companies, five of which were new partners for the MA.

Over the summer three FTV students worked with MA convenor Richard Langley to produce a short film for Age Concern Birmingham, which is now featured on their YouTube channel.

In mid-September we bade farewell to our 2014-15 cohort, who formally graduated last week. Many have already enjoyed paid roles in industry at organisations including Fremantle Media and Al Jazeera, and it’s been great to hear of other alumni successes throughout the year.

We welcomed our new FTV students two weeks later, who have had a full term of seminars, screenings, training and guest speakers from industry. After Christmas they will start embarking on their placements and working towards their film assignments; a 3-5 minute guided editing project and a 25-minute documentary, which serves as their dissertation.

It will be full steam ahead again come January, but in the meantime thank you to everyone who has worked with us this year, and we wish all our students, alumni, placement partners and friends a very Merry Christmas and Happy New Year!

FTV Christmas

A Visit to the Mockingbird

Our new cohort of FTV students are now well into their first term at Birmingham. We’ve had an exciting timetable packed with seminars, screenings, guest workshops and practical training, and last month we also arranged a trip to the Mockingbird Theatre in Digbeth, led by Professor Roger Shannon. In this blog, Magdalena Swiatek shares her reflections on the day and some fascinating insights into Birmingham’s film culture, past and present. 

MagdalenaSwiatek (2)In Week 2 we – the new FTV Students – took a trip to the Mockingbird Theatre in the Custard Factory to meet Roger Shannon, producer and Professor of Film and TV, and alumnus Luke Smith, who had just finished the MA.

Luke showed us his amazing dissertation documentary about his first stand-up performance and talked about his experiences during the MA. He recounted the process of filming, his successes and the mistakes he made. It was motivating to hear how a former student experienced the year on the course and I´m sure all of us took a lot out of this meeting.

Afterwards, Roger Shannon gave us an overview over Birmingham´s film history and its meaning for the UK film industry. Even though the industry is not quite as vivid as it was before in Birmingham, there are still loads of opportunities for us to discover here. 

Birmingham and Film

Birmingham´s film history started in 1862 with the discovery of celluloid. Around 60 years later, in the early 20th century, three Brummies – Michael Balcon, Victor Saville and Oscar Deutsch – started to take over the film world from the West Midlands.

Michael Balcon (1896 – 1977)  – the honoured film producer who discovered Alfred Hitchcock was born in Birmingham. After the war he and his friend Victor Saville opened a film distribution company in London and started to produce films. In the late 1930s, Balcon was Head of the Ealing Company, one of Britain´s most famous studios.

Victor Saville (1895 – 1979) – the film director, producer and screenwriter celebrated his success in the UK as well as in Hollywood. During his life he worked on over 70 films.

Oscar Deutsch (1893 – 1941) – the founder of the ODEON cinemas was born in Birmingham as a son of Hungarian Jews. The first ‘Oscar Deutsch Entertains Our Nation’ (ODEON) – cinema was opened close to Birmingham in 1928. After this, many others followed all over the UK. 10 years later there were already over 250 ODEONs. The architecture and interior design were their unique recognition value. Today the ODEON remains one of the most important cinemas in Birmingham.

Birmingham´s Cinemas Today

The ODEON – located in the city centre of Birmingham, the ODEON prides itself on offering the best cinema experience, just as Oscar Deutsch promised. With 8 screens, the cinema offers a variety of current films.

Cineworld – on Broad Street, surrounded by pubs, clubs and restaurants, the cinema is located in the heart of the city. With 12 screens, the Cineworld offers a big range of top films for every age and interest.

The Electric – the oldest working cinema in Britain has been showing films since 1909. On two screens the viewer can experience loads of indie films, performance screenings and classics in addition to the latest film releases. A regular view of the program is worthwhile.

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Our MA mascot, MacGuffin, at The Mockingbird

The Mockingbird Theatre – a Bistro, Bar and Theatre placed in the Custard Factory. Beside theatre plays and music gigs, the film club hosts festivals and organises indie film screenings

Midlands Arts Centre – one of the most important and diverse art centres in Birmingham; offering exhibitions, courses, theatre, music and of course films. It shows a range of new released films, art-house films and live screenings.

Everyman Cinemas – this independent cinema is located in the Mailbox in Birmingham. The uniqueness of this venue is its atmosphere and fancy cosiness.

A big thank you to the team at The Mockingbird for hosting us, and to Roger and Luke for sharing their knowledge and expertise!

Magdalena Swiatek