Arts & Science Festival 2017

This week we held our fifth annual showcase as part of the University’s Arts & Science Festival. For a third year running, the Department of Film & Creative Writing invited students across the University to enter our One Minute Movie competition on the festival theme of ‘Land and Water’, the results of which were announced at the end of the event.

Screening17We had a great turnout on what was a beautiful spring evening. As always, we screened a range of work produced by the most recent cohort of MA Film and Television students and it was lovely to have three of the filmmakers with us in the audience.

After enjoying films that included a documentary about fashion blogging, a drama inspired by the art of M.C. Escher and a cinematic travelogue, the audience were treated to the One Minute Movie entries in the second half of the evening. These had been independently judged by a panel of five academics and industry professionals, and with 11 submissions it was again a close-run competition for first place.

Congratulations to overall winner Robert Rushton-Taylor (MA Film and Television), who was placed first by the judging panel for ‘What Does Water Mean To You?

The runners up were:

Thank you to all who attended the event and submitted a One Minute Movie!

 

From Bulgaria to Birmingham and Back Again

Bogomil Kalinov is one of the co-founders of KaBoAl Pictures, an audiovisual production company, and in the few years since it was created the company has already worked on 4 feature films, all of them international co-productions.  Bo graduated from Film Directing at the New Bulgarian University (Sofia, Bulgaria) with honours in 2013 and was enrolled on the MA in Film and Television at the University of Birmingham from 2013 to 2014.  Here, he shares his reasons behind applying for the MA and how it has impacted on his subsequent activities.

Bo blogI applied to the MA Film and Television: Research and Production for a couple of reasons. The first one was I needed the knowledge about how to make a sustainable visual product. Even though I had a background in Film Directing, at the time of my BA I was very concentrated in shooting dramas and I missed out on some valuable lessons.  Even though shooting drama is exciting, it is also very expensive. It involves a lot of people, a lot of time and a lot of effort. Plus financing, that is more often than not difficult to obtain. I had invested some years in film making and already had my mind set on what I wanted to do, however it turned out that I didn’t realize I had to do more of it. Feature film-making is great but if you want to sustain a business and remain a valuable asset in the industry you need to have a broader set of skills that involve factual TV, documentaries and similar genres. Making movies is fun, paying the bills is mandatory, so in this line of thought I believe that the opportunities and experience that the MA FTV provides are essential to anyone who chooses the path of filmmaking as a career.

The Appeal of Documentary Filmmaking

The second reason behind my decision to apply was the documentary aspect of the programme. As mentioned, I was very constrained by my narrow-minded thinking about the business. I realized my mistake once I attended a student documentary workshop that lasted about a week. During that time I knew I missed out, but I didn’t really have the time to learn how to fix this mistake. The length of the workshop was not enough to provide the needed information and I was already in my last year of BA studies.

This being said, studying under the guidance of Dr Richard Langley on the MA FTV was just priceless for learning the insights of documentary filmmaking. The screenings were great, the chosen films were well picked (of course, some I liked better than others) but they accurately represented the rich pallet of documentary subgenres. What I liked most about his method of teaching were the discussions that followed the screenings, where Richard explained the documentary mode and why and how it was made this way.  I learned not just why documentaries are made but how to make them. His passion for the subject really had a great impact, not just on me, but I think on the whole class. I could tell by the way we started discussing documentaries a bit later in the year that was equal to the way we discussed feature films in the beginning of the year. To put it in a different perspective: before I attended the MA I avoided watching documentaries and the closest I got to the genre was the work of popular TV channels that I no longer even consider ‘documentary’ in the full meaning of the word. Since then, for the past two and a half years, I have enjoyed 66 documentary films, some of which were mini-series, and I am currently preparing a documentary debut myself. So this goes to show the tremendous impact that the MA had on me both as a person and as an author.

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Annual Showcase & One Minute Movie Results

Last Tuesday evening we held our annual showcase as part of the University’s Arts & Science Festival. This incorporated the results of the Department of Film & Creative Writing’s second One Minute Movie Competition.

It was great to see so many familiar faces in the audience, including FTV students past and present, members of Guild TV, and industry partners. In addition to a range of 5-minute Guided Editing Projects, we screened two documentaries from last year’s cohort: My First Time, which followed Luke Smith’s preparations for his first stand-up gig in Edinburgh, and Junior Doctor Diaries, a pertinent film from Katharine Walker examining the challenges faced by junior doctors in the UK as they enter the workplace.

IMG_6362In the second half of the event we showed all 14 One Minute Movie entries, which responded to the festival theme of Memory and Forgetting. The range and quality of submissions to the competition this year was fantastic, necessitating an expansion in the judging panel! The overall winner was MA Film & Television student Bhulla Beghal, with his animation One Day. Asked where he drew his inspiration from, Bhulla mentioned Ari Folman’s documentary Waltz With Bashir, which features on the MA’s Documentary Filmmaking module syllabus.

The four runners up, in no particular order, were:

  • Elena Tang            Some Memories Don’t Fade
  • Paul Turrell            Missing Time
  • Rosie Kelby            Tip of the Tongue
  • Sarah Thölin-Chittenden            Skögen

Congratulations and a big thank you to everyone who entered! Watch Bhulla’s winning film here:

One Minute Movie 2016

The Department of Film and Creative Writing is pleased to announce the 2016 One Minute Movie Competition. Run in association with the University’s Arts & Science Festival, this opportunity is open to all Birmingham students, both undergraduate and postgraduate.

The challenge is to make a film on the theme of memory or forgetting (or both) that is less than 60 seconds long. It can be fact or fiction, literal or abstract; we want you to be as creative as possible. Specialist equipment is not a requirement and entries produced using smartphones or tablets are very welcome.

Winners will be announced at a screening event on 15 March 2016 and the first prize is an Amazon Kindle Fire HD. Runners up will receive Amazon vouchers.

If you have any questions, please email Dr Richard Langley r.m.langley@bham.ac.uk or ask Jemma Saunders in the Film & Creative Writing office (Room 415, Arts Building). You can also find out more on the department website.

The deadline is Friday 26 February at 1pm. We look forward to receiving your entries!

2015 Round Up

The Christmas break is upon us once more, and it’s been another full and exciting year for the MA in Film and Television: Research and Production.

We kicked off 2015 with the Department of Film & Creative Writing’s first ever One Minute Movie Competition, which is being revived again for 2016 with a theme of ‘Memory and Forgetting’. Easter saw a trip to Bristol for a recording of ‘Deal or No Deal’ and between January and August our students undertook placements at twenty-four different production companies, five of which were new partners for the MA.

Over the summer three FTV students worked with MA convenor Richard Langley to produce a short film for Age Concern Birmingham, which is now featured on their YouTube channel.

In mid-September we bade farewell to our 2014-15 cohort, who formally graduated last week. Many have already enjoyed paid roles in industry at organisations including Fremantle Media and Al Jazeera, and it’s been great to hear of other alumni successes throughout the year.

We welcomed our new FTV students two weeks later, who have had a full term of seminars, screenings, training and guest speakers from industry. After Christmas they will start embarking on their placements and working towards their film assignments; a 3-5 minute guided editing project and a 25-minute documentary, which serves as their dissertation.

It will be full steam ahead again come January, but in the meantime thank you to everyone who has worked with us this year, and we wish all our students, alumni, placement partners and friends a very Merry Christmas and Happy New Year!

FTV Christmas

Announcing the One Minute Movie Competition Winners!

On Tuesday evening we welcomed visitors to our third annual screening event, showcasing work by recent alumni of the MA. At the start of the second half, entries to the inaugural One Minute Movie Competition were also screened, and the winners were announced. The judges were hugely impressed by the range of creativity in all the submissions and awarded first prize to Dan White (BA American & Canadian Studies and English Literature) for his film An Interesting Trip.

The runners up were:

Imran Qureshi Exhibition – Anastasia Kharchenko

22:00 – A team effort from Jack Crowe, Vafa Motamedi, Tom Lofkin, Anya Hancock and Cameron Blair.

A big thank you to all who entered and everyone who attended on Tuesday. Congratulations to the winners!

L-R: Vafa Motamedi, Jack Crowe, Dr Richard Langley and Dan White

Left to right: Vafa Motamedi, Jack Crowe, Dr Richard Langley and Dan White.

Actuality Media Outreach to Kisumu, Kenya

Before completing his MA last September, Sam Robbins spent several weeks in Kenya producing a documentary film with Actuality Media. From the email that began his journey, to an award nomination for the finished project, here’s his account of the outreach programme.Sam R blog

In August 2014, I travelled to Kenya as part of the Actuality Media team. I’d been forwarded a link to their website by the MA staff, took a quick look at their page and pretty much decided right away that I wanted to do it. I’d been stuck at home for a while; before enrolling on FTV the bulk of my time was spent earning money for its tuition, then once I was there staying at home saved me that bit more from accommodation fees. I’d already lived it up in my undergraduate days, so it seemed the sensible option with no student loan available.

No surprise, living at home made me pretty restless though. I was more and more determined to get out and do something new and exciting, something ambitious and out of my comfort zone. I’d never even heard of The Study Abroad Programme that Actuality Media were offering, it came from nowhere, just some random email that I happened to pursue. I saw the words, ‘outreaches in Kenya, Ecuador and Cambodia’ and I was sold. The worst thing I could be was all talk about wanting to do this and that, it just took a little spontaneity and I was committed.

So roll-on August! That was my mentality for the next few months. I was accepted onto the Kenya outreach to be Producer for a short documentary on Palos Farm, a permaculture farm based in the sugarcane region of Kisumu. My team consisted of myself – the Producer – and three others: a Director, Cinematographer and Editor. So with twelve of us on the programme, that made three groups each working on separate documentaries within Kisumu, all of us relatively new to the work. To overlook and guide us on these projects, as it was so new to us, there were also two Production Supervisors offering their expertise in helping us create a polished piece.

Pre-Production

Things kicked off with research. The first two weeks were dedicated to making a plan of attack. Whilst the leg work had already been done, liaising with the organisations we were going to document, we still had to discover a unique story to chronicle. Part of the outreach scheme was that each organisation we worked alongside was promoting social change in the community. Palos Farm was introducing a new, sustainable means of farming that could improve the livelihood of workers in the region. Meanwhile, the other two groups were working with the local charities SWAP (Safe Water and Aids Project) and the YCCM (Young County Change Makers). As Actuality Media were keen to find a strong protagonist to tell each organisation’s story, this meant uncovering an individual that had been positively affected by their NGO’s work. These protagonists were to take centre stage, a character with a compelling life that could promote all the work that each program had done for them.

Blog - Palos Farm Nursery (2)For my group, a large amount of research was spent immersing ourselves in Palos Farm. We learnt the structure and goals of the farm, what they were growing and why, and we also met and talked to a lot of the farmhands. It took some delving and at times work with a translator, but we soon met our protagonist in one of these farmhands, a supervisor named Joseph.

Once this was decided we had to structure our documentary. This meant creating an arc for Joseph’s story, specifically pointing to how Palos Farm had helped him and his family. We had to know beforehand how we were going to edit the film together and visually capture moments that backed-up what was being said. We needed to create a shot list, determine interviewees and decide on locations and the necessary questions to ask. In all, it meant putting together a production schedule that would take us neatly into week three; shooting week. Continue reading